Friday, August 2, 2019
The Character of Enorbarbus in William Shakespeares Antony and Cleopat
 The Character of Enorbarbus in William Shakespeare's Antony and Cleopatra            Enobarbusââ¬â¢s character can be seen as the most striking invention of     Shakespeare.       As the lieutenant of Antony, he contributes to the drama in a number     of ways. He is sympathetic to Antony from the start, loyal and fellow     feeling. Instead of agreeing with Antony at the beginning where he     says he wishes he had never met Cleopatra, Enobarbus replies that, had     that been the case, Antony would have missed ââ¬Å"a wonderful piece of     workâ⬠. (I.2.154-5).       He does not share the perspective of his fellow Roman soldiers Philo     and Demetrius in the opening scene, in fact he seems to enjoy life in     Egypt contributing with appreciative comments on Cleopatra. ââ¬Å"Age     cannot wither her, nor custom stale her infinite variety. (149     II.2.245) When Antony says of Cleopatra, ââ¬Å"She is cunning past manââ¬â¢s     thoughtâ⬠, Enobarbus disagrees, ââ¬Å"Alack, sir, no: her passions are made     of/ nothing but the finest part of pure loveâ⬠ (I.2.146-8).       In their conversations at the beginning and in his role throughout,     Enobarbus seems to represent an ordinary reflection of something in     Antony himself, as in a mirror. His humour in response to the     announcement of Fulviaââ¬â¢s death, anticipate the jovial side of Antony     that will manifest itself in the galley scene. Before the triumvirs     meet, the diplomatic Lepidus tries to persuade Enobarbus to keep     Antony calm. Enobarbus however refuses saying that he much prefers     that Antony should speak his mind.       He reminds Antony and Caesar that there will be time enough to quarrel     after they have disposed of Pompey.       To Antonyââ¬â¢s criticize, ââ¬Å"Thou art a soldier onl...              ...ssenger. In a soliloquy ââ¬Å"Now heââ¬â¢ll outstare the lightningâ⬠     (III.13.194-200) he sees through Antonyââ¬â¢s bombastic rhetoric and comes     to his decision to leave Antony.       As Antony addresses his servants as if for the last time, Enobarbus     protests that he is ââ¬Å"onion-eyed (IV.2.35). Antonyââ¬â¢s reaction to his     desertion, ââ¬Å"O, my fortunes have Corrupted honest men!â⬠ (IV.2.35) and     his decision to send his treasure to him confirm all that is said of     Antonyââ¬â¢s ââ¬Å"bountyâ⬠. The guilt felt by Enobarbus and his subsequent     depression and loss of will are clearly shown. ââ¬Å"No honourable trust. I     have done ill, of which I do accuse myselfâ⬠ (239.IV.35) But his death     in mental torment and the consciousness of disgrace are proof of the     fact that Antonyââ¬â¢s ââ¬Å"fortunes have/ Corrupted honest menâ⬠ give a wider     dimension to the tragedy of the protagonists.                        
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